Come and play in our Live Lab on Thursday 3rd December, 11.00 a.m. MST There’s no need to register, just save the date and go here: https://meet.google.com/nsp-ettg-nbb This is your opportunity to experiment and play with what we’ve developed so far in DCD Discover, and for you to custom build DCD Discover
Are you someone working in the arts or the hospitality industry who is looking for creative ways to collaborate amid the COVID-19 pandemic and plan for future recovery? Are you interested in conversations exploring the live experience economy and how to get audiences out and artists back to work in
EPCOR's new Heart + Soul Fund is intended to provide financial support to arts, culture and recreation organizations and creators to build resilience and deliver programming that uplifts Edmontonians. EPCOR is providing $1.25 million through small, medium and large grants to support arts, culture, recreation and charitable organizations. The grant is intended to address
CALL FOR SUBMISSIONS Peggy Baker Dance Projects is pleased to offer our fourth annual Emerging Artists Program to take place intermittently from January 18 – February 19 2021. This will be our first program to take place entirely online making it possible for dancers to participate from wherever they call
MAKING LOVE WITH THE LAND PERFORMANCE is a series of online performances inspired by Joshua Whitehead’s forthcoming book Making Love With the Land in which LGBTQ+ and BIPOC artists explore creation in a post-pandemic world. This performance of Whitehead’s work features performances by Joshua Whitehead, Barry Bilinsky, Kevin Fraser with
Midwinter Dreams curated by Creeasian Presented by Mile Zero Dance Streaming online through Zoom December 12, 7 PM Mountain Time Inspired by the movement and colours of the Northern Lights, Matthew Creeasian’s Midwinter Dreams touches on how our perception of time and place shifts based on the land we stand
Setting a price for your art – whether that’s a professional service, a performance, a painting or a chalk drawing – is one of the most complex and important calculations an artist can make. Financial whiz Bill Samoil walks you through the calculations required to adequately cover your costs, and
Join Kyra Newton on December 18th from 7-8pm for a 1-hour creative movement workshop through Blissful Dance. Together, we will move at home, connect with our bodies, and get creative. No dance experience is required and all bodies and minds are welcome here! ASL interpretation provided by Andrea at FLIC!
Short Multidisciplinary Acts, 10 minutes or less, for paid cabaret situations such as Dirt Buffet Cabaret, Salons or other mixed evenings such as fundraisers. Pleases send submission to info@milezerodance.com including a video clip (online), short bio, and a description of work to be presented. Any media considered. View Mile Zero
Do you have a dance or movement project on your mind that you would like to share with your community? Azimuth Theatre and the Good Women Dance Collective want to help make it happen as part of the 2021 Expanse Festival! The Good Women Dance Collective Presentation is a PAID
Join the Alberta Nonprofit Network (ABNN) for an information session to learn more about the Government of Alberta’s new Civil Society Fund grant program. This fund provides $20 million to expand civil society’s capacity to address social problems for Albertans – of which $7 million is budgeted for 2020/21 to
Are you an arts organization trying to find new ways to integrate digital technology into your daily activities? Is your organization looking to engage your audience in new, tech-friendly ways? Are you feeling nervous about taking the next step towards going digital? If so, look no further than the Evolution of
What’s The Score? MZD Artistic Director Gerry Morita kicks-off 2021 with a new online course, What’s the Score? Open to all types of artists (dancers, actors, performance artists in particular) and anyone curious about making short pieces, What’s the Score? – as the title indicates – is about making score-based
Classes are held via Zoom every Tuesday and Thursday, 5-6 pm January 12 to February 23 2021 (no class February 9) Fee: $110 for 12 classes, pre-registered only Theme of the session: The Gift of Sensing/Making Sense To register: irousseau.moveandbemoved@gmail.com Get more information here.
Tuesday, January 12, 6:00-7:30pm Whether it be for representation, a presentation, a gallery show or a commission, the building blocks of an artist's career are held together with contracts. Entertainment lawyer Greg Pang walks you through the essential elements of a contract, finding simple language to make out the essential
In late October, the Edmonton Arts Council published guidelines for two new investment streams – Sustain and Activate – programs that will direct a degree of stable and flexible funding for arts and festival organizations in 2021. The Sustain and Activate pillars are both related to investments in organizations in the short-and
Are you looking to engage with the Toronto dance community next summer? Join our Festival team as a Dance Steward! The dance: made in/fait au canada Festival is looking for emerging artists who are interested in advocating and networking with our National dance community. Get the chance to see the
Call for Participants, deadline January 15 Multidisciplinary artist, facilitator, teacher, arts producer and community organizer Kevin Jesuino is seeking LGBT & BIPOC community members and emerging artists to participate in an upcoming community-based workshop and participation-based performance, Cruising at 30 Kilometers a Second and Attempting Not To Crash. Just like in
This workshop takes place over two half days When: Saturday, Jan. 16th, 2021 @ 10:00 am – 12:30 pm and Sunday, Jan. 17th, 2021 @ 10:00 am – 12:30 pm Where: Online through Zoom Cost: $50 per person to register 24 participant max. To register email: younglungs.wpg@gmail.com (participants must be available for both
January 21, 2021, 12:00pm Register at zoom.us We start off a new year of conversation on January 21, 2021. We will be discussing streaming platforms and how artists and organizations have had to pivot to presenting content online. What have they learned? What works best? How can we still make content